Luc Döbereiner
Luc Döbereiner is a researcher and composer of instrumental and electronic music from Berlin. He studied at the Institute of Sonology in The Hague and holds a doctoral degree from the University of Music and Performing Arts Graz. His work is concerned with compositional models, algorithmicity, non-standard sound synthesis, improvisation, materiality and complex systems in musical composition and sound art. His music has been performed by numerous ensembles and soloists in Europe and he has published his scholarly work in journals such as Computer Music Journal, Organised Sound and Contemporary Music Review. He has been a guest lecturer at the Bern University of the Arts and a visiting researcher at the Centre for Research in New Music at the University of Huddersfield. He teaches at the University of the Arts, Berlin and is Professor of AI in Composition and Sound Synthesis at the University of Music Trossingen.
Ludvig Elblaus
Ludvig Elblaus is an artist and researcher working primarily with computational materials to create acoustic and electronic music, sound art, audio-visual installations, museum exhibits as well as contributions to collaborative larger works in several traditions, e.g. opera, theatre, and dance.
His artistic practice explores generative tools, complex systems, modelling as an artistic practice, the site-specific, emergence, and experiential aspects of very slow and drawn out temporal structures and deep listening.
His artistic practice explores generative tools, complex systems, modelling as an artistic practice, the site-specific, emergence, and experiential aspects of very slow and drawn out temporal structures and deep listening.
David Pirrò
David Pirrò is a sound artist and researcher based in Graz, Austria. His works include interactive compositions and sound installations as well as audiovisual and electroacoustic pieces in which performative and spatial aspects are central. Departing from a radical inclusive point of view, he seeks ways of composing by which the work of art is constructed through mutual interaction of the agents involved in its performance.
Instrument: henri - llvm based sound synthesis and dynamical systems numerical integration environment
Instrument: henri - llvm based sound synthesis and dynamical systems numerical integration environment
Liz Allbee
Liz Allbee is a composer-performer and improviser who works with the imaginarchic potential of sonic material. She performs most often on self-designed quadraphonic trumpet, electronics, trumpet and voice. Her work encompasses electro-acoustic composition, spatialization, improvisational strategies and instrument creation, with an ear towards embodiment and extension.
Martin Lorenz
Since 1999, Martin Lorenz has worked as a percussionist, electronic musician and composer on the contemporary and experimental music scene. He is the founder of the record label Dumpf Edition, which he curates together with Luc Döbereiner. Martin Lorenz creates instrumental music and media specific works such as sound installations, analog video works and compositions for hand cut vinyls. This focus on the medium characterizes the approach to the modular synthesizer. As a percussionist, Martin Lorenz works with composers such as Annesley Black, Antoine Chessex, Hugues Dufourt, Edu Haubensak, Bernhard Lang, Lula Romero and Alfred Zimmerlin, whose works he premiered. In recent years, Lorenz has researched, reconstructed and performed the chamber music compositions of the American pop avant-gardist Arthur Russell.
mesh
mesh is a digital sound synthesis system for complex recurrent audio networks. For this recording a small randomly connected synthesis graph was created. It consisted of Kuramoto, Nosé-Hoover, FitzHugh–Nagumo, and van der Pol oscillators as well as one perceptron.
Daniele Pozzi
Daniele Pozzi is a sound artist and researcher based in Graz, Austria. He mostly composes sound installations and plays improvised electronic music in which sound is conceived as a material relational element. Daniele often works with self-made hardware and software, and he is interested in the intertwinement of technical development and aesthetic reflection. He is a doctoral candidate at the doctoral school for artistic research (KWDS) of the Univeristy of Music and Performing Arts Graz with a project on feedback experimentation in computer music and sound art.